My earliest works pave the way for current works. As an artist (painter), change is narrated through brushstrokes. My earliest drawings and compositions have always imprinted on later art. Especially my way of capturing the human form. It has always been abstract, especially after realising that realism did not quite satiate me. My way of painting human beings is more of an abstract and figurative fusion. A good example of this is the drawing shown below (which I completed several years ago using markers and colored pencils); 'Famine'. I tend to distort faces, while adding colors that accentuate what I am conveying in any given composition. A much later example of this is through looking at my paintings 'Sex' and 'Cannibal (Tortured Artist)'.
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